Captain John Miller (Tom Hanks) takes his men behind enemy lines to find Private James Ryan, whose three brothers have been killed in combat. Surrounded by the brutal realties of war, while searching for Ryan, each man embarks upon a personal journey and discovers their own strength to triumph over an uncertain future with honor, decency and courage.
By far this is one of the best war movies of all time. It’s hard and tear jerking to watch because of how accurate and life like the war scenes are. Something that really adds to the uncomfortable realistic feel of the film is the lack of music. It’s hard to notice when first watching the movie because as an audience member you are so sucked into the action. But if you pay attention during any battle scene, there is absolutely no music playing in the background. In fact, music is used sparingly and only when it adds to the overall emotional impact on the audience. During the bloody war scenes all the audience hears are bullets shooting, men screaming, blood gushing, and orders being given. This makes the audience feel as if they themselves are on the front lines with all the actor’s.
Another powerful element of this film is the camera work. The cinematography is innovative and creative. However, it’s kept subtle to where you don’t remember your watching a movie on a screen. It feels as if your watching war history in person. A lot of the camera angles are kept eye level, or close to the ground, which adds to this effect. There are very little bird eye shots or hero shots in this film. Which would have only lost the audience’s personal connection into the film. This was a really impactful decision made by the cinematographer of this film.
This film showcases the darker side of humanity. It allows audience members who have never been on a battle front a chance to experience the realistic horror and intense action. It allows us a look into a world not all of us are familiar with. That makes watching this film such a memorable experience.
4.8 out of 5
I recommend everybody watch this film at least once in their life.
Despite his family’s generations-old ban on music, young Miguel dreams of becoming an accomplished musician like his idol Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead. After meeting a charming trickster named Héctor, the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
Pixar does not disappoint. In fact, I don’t think I have ever seen a Disney Pixar movie I have not fallen in love with. I finally got around to checking this movie off of my must see list, and I loved every second of watching this film.
The animation is top-notch, and the color, music, and overall environment created in this movie was astounding to look and listen to. One of the amazing things about Pixar movies is that no matter how old you are, these movies will always have a special place in your heart. This movie is relatable for a wide age range. Whether you’re a kid balancing life and family, a parent trying to understand your child, or an elderly family member stuck in the past. This movie had a lot of life lessons that could be learned, and I truly feel any audience member will connect with the film on an emotional level.
This film was not predictable for me, and I did not see the plot twists coming. Which is not a typical element of a children’s film. The plot had me interested and engaged throughout the entire movie, starting from the first ten minutes of the movie. If you are interested in learning more about other cultures and their traditions, I strongly recommend you watch this film. I have always been fascinated by the tradition of Day of the Dead. This movie gives an interesting look into this tradition, and how family is valued into Mexican Culture.
Overall, this movie is an incredible feel good movie to watch solo or with the family. It’s a highly emotional story that will tug at your heartstrings.
Writer and notorious marriage detractor Mortimer Brewster (Cary Grant) falls for girl-next-door Elaine Harper (Priscilla Lane), and they tie the knot on Halloween. When the newlyweds return to their respective family homes to deliver the news, Brewster finds a corpse hidden in a window seat. With his eccentric aunts (Josephine Hull, Jean Adair), disturbed uncle (John Alexander), and homicidal brother (Raymond Massey), he realizes that his family is even crazier than he thought.
If you have not seen this film… Go Watch It Now! This movie has been on my top 10 list of films for years now.
My favorite thing about this film is the plot structure. They based this film off on a play and that shows. This play follows the old style of comedy with dramatic irony. The audience is fully aware of what is going on in the movie, however a lot of the actors are left in the dark. Which leads to a lot of confusion among the characters within the film and adds to the comedic element for the audience.
Something I love about this film that I think more plays and films need to be inspired by is all the comedic timing and use of facial expressions. Cary Grant’s facial expressions throughout this film makes for some of the best comedic moments. This is also something that is known to be one of Cary Grant’s signature strengths.
The plot of this film is quick paced, and there are several stories lines going on all at the same time. Newly wed Mortimer Brewster is trying to leave on his honeymoon, his aunts are murdering elderly gentleman, his uncle thinks he’s Teddy Roosevelt, and his crazy brother Jonathon shows up on the run from the police. While the overall feel of the movie is left very light and comedic, the action within the play is insane and the audience gets to watch along on the journey.
I absolutely adore the acting in this film. Besides Cary Grant’s amazing performance, everyone else does a fantastic job. There is not a bad acting performance in this entire film. Josephine Hull and Jean Adair as the two aunts is my favorite. These two women do not disappoint in this film, and their characterization is amazing. They are nothing short of being sweet elderly women in this film, which makes it even more of a comedic shock to find they have single-handedly poisoned and buried several men in their cellar.
Lastly, the camera work and lighting of this film are unique and appealing. Much like the play, this film takes place solely inside the Brewster’s living room. While we see action take place in a few other locations, most of the film is set in one area of the house. However, the film does not get boring and as an audience member it’s hard to notice that the camera has not left the one room. The camera work is very innovative and creative.
Andy Dufresne (Tim Robbins) is sentenced to two consecutive life terms in prison for the murders of his wife and her lover and is sentenced to a tough prison. However, only Andy knows he didn’t commit the crimes. While there, he forms a friendship with Red (Morgan Freeman), experiences brutality of prison life, adapts, helps the warden, etc., all in 19 years.
I do not understand why it took me so long to see this film, but I am thrilled I did. This film blew me away. It’s a powerful story, with incredible acting and amazing plot action. I was immediately drawn into this film from the very beginning and only became more captivated in the story the more it went on.
My favorite thing about this film was the powerful acting performances. I was not as familiar with Tim Robbins as I was with Morgan Freeman before watching this movie. However, unlike most movies, neither actor over-shined the other. Both of them did such an incredible job, and as an audience member it truly felt like the two actors were feeding off of each other’s performances and energy which only strengthened their acting. The other actors in this film were incredible. There was such distinct and committed character development, which added a lot to the film and made it seem even more lifelike.
This film had a very natural flow to it. The plot points moved effortlessly from one to the other. I never noticed a moment where this film seemed to drag on and lose my attention. I think something that aided in that was Morgan Freeman’s character narrating the film and guiding the audience through the story. As an audience member, this also made me feel more involved within the world of the film and helped me get invested into the story of the film.
Probably the most powerful and affective element of this film is the writing. With it being adapted from a Steven King novel, I knew that the writing would have a strong foundation to base off of. However, the writing of this movie entirely blew me away. The movie is very intense and leaves a huge emotional impact on the audience. Since the audience gets so emotionally invested in the main characters, there are many parts of this story that make you mad. Even after watching this film, the emotional impact will stick with you, and you will think about it long after watching the film.
I was extremely excited to see this film. Harriet Tubman is one of my favorite historical figures, and it’s about time someone makes a movie about her. However, this movie did not live up to my expectations.
First things first. The soundtrack of this movie made no sense at all. I often got sucked out of the world of the film. The soundtrack did not match up with the scenes of the film, and instead of heightening the audiences emotional experience, it only took away from it. There is a powerful scene in the movie where Harriet is getting taken away by boat to safety after the passing of the fugitive slave law. It was a powerful and emotional scene. However, the music sounded like a song from a funeral and did not match up with the action of the film.
One element I really liked about this film was how historically accurate they made it. By sticking close to history, the filmmakers lost a good chunk of creative freedom. But this was something I really appreciated about this film. I appreciated how they tried to incorporate the use of Harriet’s god given visions, but the way the filmmakers incorporated it into the film was confusing. It made more sense as the film went on, however, at the beginning it was hard to tell if the audience was getting a look at visions or flashbacks.
The most redeemable trait of this film was the acting. Cynthia Erivo gave a convincing performance as Harriet Tubman. She did an excellent job of showing the growth and contrast of Harriet’s character from the beginning of the film to the end. However, Cynthia’s acting stood out the most and compared to her the other actors/actresses only did a sub par job.
It took me a hot minute to get emotionally invested into this movie, but once I was invested, it stayed constant till the credits rolled. I understand that the filmmakers needed to set up the story and show Harriet’s life before the Underground Railroad. But the movie did not get interesting until she ran away and come back for her husband and family.
Overall, I enjoyed this film, but I would not watch it again. However, I would recommend that everyone see it once in their life. As there is a lot to learn and appreciate about Harriet Tubman.
Lloyd Vogel is an investigative journalist who receives an assignment to profile Fred Rogers, aka Mr. Rogers. He approaches the interview with skepticism, as he finds it hard to believe that anyone can have such a good nature. But Roger’s empathy, kindness and decency soon chips away at Vogel’s jaded outlook on life, forcing the reporter to reconcile with his own painful past.
I definitely had different expectations for this film. I knew that Fred Rogers would not be the focus of the film, since Tom Hanks was the supporting actor. However, I did not expect the film to intertwine two worlds by transitions related to Mr. Rogers show. This was one of the most confusing elements of the film. While it was very creative and looked amazing from a visual standpoint. It was hard to tell if the film was taking place in real time or was just another episode of Mr. Rogers show.
The show starts off with Mr. Rogers on set for his show talking about a man named Lloyd. And the movie cuts between the show and Lloyds’s life until finally the two intertwine. This got even more confusing toward the end of the film when the audience ended back on Mr. Rogers show. The mixing and cutting between the two worlds was unique and interesting, but very confusing in terms of time and space.
The strongest thing about this film was the acting. Tom Hanks did not disappoint, and he fully became the essence of Mr. Rogers. In fact, it was hard to remember that it was an actor portraying Fred Rogers instead of the real deal. I was pleasantly surprised by the other actors of the film. Especially Matthew Rhys and Chris Cooper. I have not seen a lot of movies with either of these actors in it, and they did a fantastic job. However, compared to the scenes with them on screen alongside Tom Hanks, their performance was weak in comparison and less believable.
Overall, I enjoyed the feel of this movie. The color grading, music, and camera style was kept very similar to how an actual show of Mr. Rogers Neighborhood. Growing up watching the television show, this was very nostalgic for me and helped as an audience member to peak my interest further into the world of the film. However, the transitions got confusing as times since as I stated it was hard to tell if the film was in real time or all flashbacks. This is a main reason I would not watch this film again. I enjoyed it, however, for me once is enough.
The story of a recuperating news photographer who believes he has witnessed a murder. Confined to a wheelchair after an accident, he spends his time watching the occupants of neighbouring apartments through a telephoto lens and binoculars and becomes convinced that a murder has taken place.
Rear Window is my favorite Alfred Hitchcock film and has been on my top 10 list of films for years. My favorite thing about this film is the set. The whole movie takes place from Jeff Jeffereies (James Stewart’s) apartment. Throughout the movie the viewer looks into the lives of his neighbors through Jefferies window and into the neighbors’ windows. All the shots spying on the neighbors are done from a point of view aspect. This is creative and different for movies made during the 50s. The camera shots get very creative. My favorite point of view shots is when Jefferies looks through his telephoto lense on his camera to get a closer look at the lives around him. As the camera cuts from Jeffereies looking out, to what he is seeing the audience sees the images on the screen as if they themselves were looking through a telephoto lense. In this way, the director has taken complete control of the audience and has manipulated how they will watch and perceive the film.
Another creative camera movement this film does an innovative and creative job of accomplishing is breaking the 180 degree rule. In film, we use the 180 degree rule when setting up camera shots. The 180 degree rule says that two characters in a scene should always have the same left/right relationship to each other. Traditionally, if the 180 degree rule is broken it disrupts the scene and causes disorientation to the audience. However, there is a scene in this movie upon which the 180 rule is broken, causing no kind of distortion. In a scene between James Stewart and Grace Kelly, she crosses over the line and into the other side of the action. However, the way they pull it off there is no disorientation to the audience which is hard to do.
The acting in this film is totally on par. James Stewart never disappoints, and his acting in this film is extremely compelling. The acting of the neighbors though small roles, are done exceptionally well. Something that’s important in this film is the disconnect between all the neighbors. Throughout the entire film, the viewer sees a world in which all of its characters are stuck inside their own worlds and never fully connect with each other. The only time the neighbors interact is when the death of a neighbor’s dog brings them together. I really appreciated this element of the film because it felt a lot like real life. Typically, we are so stuck inside of our own lives we don’t always notice the small details around us until a tragedy brings us all together.
The last thing I really enjoy about this film is the plot structure. This film flows so effortlessly, and it follows a well put together plot structure. It’s the type of movie in which you forgot your watching a film. Every element of this film flows so effortlessly and ties together. perfectly it’s easy to see that the creators of this film put a lot of time and effort into the films pre-production which paid off.
A couple travel to Sweden to visit their friend’s rural hometown for its fabled midsummer festival, but what begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
I’m sure I am not the only one left heavily confused after watching this film. I am a huge fan of Ari Aster and his work, and I knew going into this film it would most likely be full of deep and dark symbolism and disturbing ideas. After watching this film, it left me confused and in deep thought about what I had just watched. For some people, this is a reason they dislike the film. However, I think there is a lot of strength in a film that resonates with you hours after watching it. This film made me think and reflect on the movie even days after watching it.
The film focuses around Dani and begins with her tragic life. Her sister has committed suicide while also killing Dani’s parents. The audience then meets Dani’s boyfriend Christian, whom we discover has been looking for an excuse to break up with her for almost a year. From the beginning, I disliked Christian and felt bad for Dani, which I think the director was hoping for. Dani then tags along with Christian and his friends to visit his friends hometown in Sweden for the Midsummer ritual.
Ari Aster said he wanted to create a film about a breakup. While Dani and Christian’s relationship was a central part of the plot, I felt that the movie mainly focused on family and the need to feel wanted. From the moment Dani gets the call about the deaths in her family, Dani calls Christian and leans on him more than ever. She becomes severely dependent on Christian, even to where he can’t even get away from her and go to Sweden alone with his friends. Most of the movie I saw Dani as weak and dependent on others for emotional and physical support.
Once in Sweden things get weird, the characters all experiment with drugs and it seems their hallucinations mix in with the reality of the cult-like society to where the audience doesn’t know what’s real and not real. Towards the beginning of the movie Dani and Christians bear witness to a ritual of the cult in which the older members of the society throw themselves off a cliff to recycle their life before old age sets in. Of all the guests visiting the society, Dani seems disturbed yet intrigued by the ritual. Through a Point of View shot, we see Dani make eye contact with one of the cult leaders and there seems to be some level of connection between the two. One by One Christian’s friends get killed off by the cult members. However, the audience sees Dani become more and more intrigued by the society and everything it represents.
If you notice later in the film, Dani sees the society in the way she did while on drugs without depending on drugs. In comparison, Christian still only sees the society as Dani does while on hallucinogens, which he’s even reluctant to take toward the end of the film. This just goes to show the contrast between the two characters and the separation between the two on their own personal journeys. Dani depends less on Christian and more on the society. During the May Queen ritual is when the audience sees the real change within Dani.
Throughout the film, flowers seem to represent the family unit. There are flowers in the room shown with Dani’s dead parents lying in their bed, and they cover the room in which the visitors stay with paintings. The members of the cult also wear flower headpieces throughout much of the film the clothes they wear even have flowers embroidered on them. However, the audience does not see Dani wear flowers until the May Queen ritual in which she wears a flower crown. It is here when Dani makes a real internal change.
Throughout the ritual process, the audience also sees Dani smiling the most genuine smile she has made in the entire film. Before that she was depressed and often anxious, never smiling for longer than a few forced seconds. This represents just how much she’s feeling the emotional support and sense of community she has been looking for throughout the entire film.
Things take a real turn once they have declared Dani the May Queen. The audience now sees her covered in a whole robe of flowers, further showcasing her conversion into the strange society. The breaking point for her occurs when she sees Christian having sex with a cult member in a strange ceremonial procreation ritual. Dani begins crying and screaming, visually upset and the cult members surrounding her scream and cry as well. Taking on a load of her emotional burden. It is here that Dani furthers her conversion and begins emotionally depending on the society even more.
The film ends with Dani deciding to send Christian to burn alive in the last ritual of the Midsummer festival. As she watched the temple with Christian inside she at first seems sad and begins crying, and again the society shares in her burden and begins crying and screaming. After a few moments of this the camera then shows a closeup of Dani and she lets out a sickly and disturbing smile. Her smile brings the film full circle and symbolizes her complete conversion into the Swedish cult. She has finally found what she has been looking for the entire movie and has completely given herself fully to the people and society around her. She has found a new family and one that allows her to depend on them more than Christian ever did.
3.5 out of 5
Overall, I enjoyed watching this film. I liked that it required me to analyze it for its deeper meaning, and I appreciate the uniqueness of this film. However, for me seeing this film once is enough and I don’t see myself urging to watch it soon.
As a senior film major, I don’t know everything when it comes to film. However, I do greatly enjoy watching movies and I watched a lot of movies in 2019, and with the Oscars coming up this weekend I thought this was the perfect time to reflect on some of my favorite films from the year. Here is my opinion and reasons for what I claim to be the top 5 films of 2019.
Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks — the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
I know, I know. This film seems to be all people can talk about lately. But this film truly blew me away in every aspect. First off, Joaquin Phoenix is such an incredible actor, and his performance in this film does not disappoint. While I did not find this film too disturbing. The thing that stuck with me the most was known as an actor what mental place Joaquin had to get into. The camera work in this movie also blew me away. Every shot was so beautiful to look at I couldn’t look away. When I watched the film a second time I realized just how much symbolism was put into each shot whether that be lighting, positioning of the actors, or use of shadows. There is this thing in the theatre called the suspension of disbelief, and it is when the audience is no longer aware they are watching a play because they are so transported into another universe. Very few times in my life have I experienced this in a film, and this was one of them. The lighting and overall production design was incredible, and it all tied together amazingly.
Another thing I really liked about this movie was the themes and the overall message. The message of this movie in that society needs to be more supportive of the poor and the mentally take care of its people as well. The Joker in this film clearly has some mental problems, and he is left to rot by those around him. Society even takes away his therapist and meds from him. As a whole I think society has done a lot better in dealing with mental illness, but there is such a strong stigma against mental disorders and for those people this movie gave a strong warning to what becomes of a person who needs help and doesn’t receive it. We need to take care of each other and not turn our backs on the problems of everyday life.
Lastly, the psychological element I really enjoyed about this film is the idea that a criminal is made and not born. Arthur (Joker) has no knowledge he is becoming the leader of a political and social movement until the end of the movie. But everything that has happened in the movie and in his life has led him to act out the way he has. I’m not saying he is justified in murder, but it’s interesting that he still has some sense of moral. Notice in the scene with his two clown friends he kills the one that ultimately got him fired from his job in a bloody scene. However, the other friend that had only been nice to him he lets leave. Society and the way people have treated him make Auther into the leader of the movement we see at the end of the movie.
The Professor and the Madman
Based on the 1998 book `The Surgeon of Crowthorne’ by Simon Winchester, the life of Professor James Murray is portrayed as he begins work on compiling words for the first edition of the Oxford English Dictionary in the mid-19th century. As he led the overseeing committee, the professor received over 10,000 entries from one source in particular – a patient at Broadmoor Criminal Lunatic Asylum, Dr William Minor.
Unlike the Joker, I truly feel this movie has not talked this movie about enough. Sean Penn is also one of my all-time favorite actors, and his performance with Mel Gibson was amazing to watch on screen. The two actors had great stage chemistry that portrayed a deep forming friendship and brotherhood. I love watching films based on true stories, especially when I was not aware of the story to begin with. The thing I appreciate and love most about this film (beside the acting) is the writing and the plot structure. The film flows effortlessly and does a good job of transition through a period of time in order to tell the story. The dialogue given to the characters is really natural and engaging.
This film also deals with mental insanity and the audience also witnesses some unethical practices done by psychologists in mental institutions. The film does a good job of humanizing Dr. Minor’s character (Sean Penn) while showing how he really is struggling mentally. He suffers greatly from PTSD and the film takes on an interesting look at just how much that can impact a man and his life. I really am shocked and upset at how little attention this movie has received since it’s coming out.
Young Reginald Dwight changes his name to Elton John and collaborates with singer-songwriter Bernie Taupin to become one of the most iconic figures in pop history. Set to his most beloved songs, it’s the epic musical story of Elton John, his breakthrough years in the 1970s and his fantastical transformation from shy piano prodigy to international superstar.
I have always deeply appreciated Elton John’s work. In face, me and one of my dearest friends became friends to Rocketman back in high school. However, I never really knew all that much about his life story, only bits and pieces. Something I think really helped this film be as amazing as it was is that Elton John was so heavily involved in its creation process. Taron Egerton does such an incredible job portraying such an icon. I’m sure it helped to be able to interact with the real Elton John himself to do him justice.
One of my favorite elements of this film is how experimental it is. The way the movie transitions from dialogue into song is effortless and smooth. Each musical number is like watching a musical on screen and its done creativity and innovatively. I really enjoyed the use of color and symbolic shots in the film. The whole film is extravagantly done and is an emotional experience. It fully matches the style of Elton John and embodied his life in a creative way.
Throughout the entire film young Elton John is learning to love himself for who he is while battling past demons that have held him down. It gives a powerful message to the viewer regarding not caring what anything thinks of you but to do what you love and to be whoever you want to be. I think everybody has felt demons holding them down, or felt the fear of truly beings oneself. In this way, I think this film can touch almost anyone watching the film in a relatable way. While also making you respect Elton John even more for coming out on the other end stronger than ever.
Invited to his first kissing party, 12-year-old Max asks his best friends Lucas and Thor for some much-needed help on how to pucker up. When they hit a dead end, Max uses his father’s drone to spy on the teenage girls next door. When the boys lose the drone, they skip school and hatch a plan to retrieve it before Max’s dad can figure out what happened.
This film probably made me laugh the hardest of any film in 2019. The comedy of this film is really amusing as its someone an older audience can relate to. Most of the comedy of this film is centered around the three main characters in the films innocence and lack of knowledge when it comes to adult things. Which makes an easy laugh for the R-rated movie watchers as they are aware of what these objects really are and what they are used for. One of the most comedic parts is when the boys sell what they think to be a dummy to practice kissing on which is really a sex doll.
I also really enjoyed how this film addressed growing up and not always keeping the same best friends you had when you were little. People grow and change and this is something the movie did a nice job of addressing amongst all the comedy. This is also something I think most people watching the film could relate to from their own personal childhood. Overall, this film is a fun and enjoyable watch. It had me laughing every moment while still making some personal and relatable life events.
The Two Popes
Behind the Vatican walls, Pope Benedict and the future Pope Francis must find common ground to forge a new path for the Catholic Church.
This film was an enjoyable watch for me. All the production elements tied in perfect to create a uniform style for the film. I’ve heard some people say they didn’t like the movie because it was a little slow paced. Most of the movie is watching dialogue between the two Popes. However, this is something I really liked about the movie because it felt so realistic. I felt like I was watching two actual popes in a real-life situation.
The film did a good job of establishing both of its central characters in a way that the audience fell in love with both of them despite their vast differences. I also really enjoyed how the film tied in modern music and the soundtrack of the music tied in perfectly with the film as a whole. Another obvious impressive aspect of the film is the acting. Jonathan Pryce and Anthony Hopkins both did such a good job completely becoming the character they were portraying, it was easy to forget you were watching a film and not real-life events.
Lastly, I really enjoyed the look this film gave me into the life of the pope, and the initiation process to vote in the new pope. I did not understand how it worked with the cardinals getting together and releasing specific colored smoke to the public depending on whether they came to a consensus or not. It that retrospect this film was very informative and interesting to watch.