r-e-s-p-e-c-t on a film set: advice from mimi leder

In a recent podcast with the Director’s Guild, Mimi Leder, an American director and producer, gave her best advice for keeping a healthy and productive film set. Mimi’s key piece of advice was to treat everyone with the respect that they deserve, and to always show them your appreciation. She pointed out that the cast and crew of a film were handpicked because of their talent and qualifications and to show them the respect that both them and their art deserves.

Mimi stated that before COVID-19 life, she would arrive on film set and before doing anything else go around and hug everybody. To showcase gratitude and spread good vibes to everyone on set. She also advised taken the time to get to know your cast and crew on both a personal and professional level. Everybody has a story to tell, and in getting to know somebody on a deeper level, it’s easier to understand them and how they function.

Another key piece of advice that Mimi gave is to find the perfect balance between listening to an actor’s instinct and your initial director instinct. She stated that when working with experienced and talented actors, they almost always want to listen to their gut instincts as an actor. Most of the time their gut instinct will never steer them wrong, however it’s okay to correct them and steer them more towards the directors instinct.


Read Mimi Leder’s full podcast with The Directors Cut Here


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FireFly lane (2021) review

Synopsis: Tully and Kate meet as young girls on Firefly Lane and become inseparable friends throughout 30 years of ups and downs. First episode date: February 3, 2021 Network: Netflix Program creator: Maggie Friedman Executive producers: Maggie Friedman, Stephanie Germain, Katherine Heigl, Lee Rose, Shawn Williamson, Peter O’Fallon My Review: After watching the first few episodes of this series, I was not sucked into …

Alien(s) (1986) Review

Synopsis After floating in space for 57 years, Lt. Ripley’s (Sigourney Weaver) shuttle is found by a deep space salvage team. Upon arriving at LV-426, the marines find only one survivor, a nine year old girl named Newt (Carrie Henn). But even these battle-hardened marines with all the latest weaponry are no match for the hundreds …

Alien (1979) Review

Synopsis In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. The terror begins when the crew encounters a nest of eggs inside the alien ship. An organism from inside an egg leaps out and …

Aaron Schneider’s Directing advice from film Greyhound

In a recent podcast with Film Riot, Aaron Schneider discussed the things we were forced to learn while shooting Greyhound. Most of the films set was composed of green screens, which had its challenges.

Schneider’s main advice is to come up with a detailed and set plan when working with extensive green screens and technology on set to try to minimize everything that could go wrong during filming. It’s always a good idea to do test runs of everything before the camera even begins rolling. Once you have all the structure completed for a scene, then you know you are ready to roll the camera.

According to Schneider, the idea for the film came from a book Tom Hanks read and then wrote a script from. In terms of creating a movie that’s been inspired from a book, Aaron stated that everything that you need story wise comes from the narrative. For Greyhound he said the complete structure for the film came from Tom Hanks script, which was inspired straight from the novel. His final piece of advice about the story is to make your main goal as a filmmaker to bring the story to life not to change it.


Listen to Arron Schneider’s full podcast with Film Riot Here


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Ron Howard’s Advice on Being a Good Director

In a recent Podcast with The Director’s Cut, Ron Howard spoke to Jeremy Kagan about the relationships he builds with his collaborators, and the impact these relationships have on a film. He describes the mutual and respectful relationship he aims to develop with both his first assistant director and the cinematographer, stating that both the 1st AD and Cinematographer work just as hard as the director.

Howard says that it’s often the most helpful when the 1st AD also functions in a producer role early on in the pre-production process. This way the 1st AD is more familiar with the film and has a voice in the decision-making process from the beginning. He describes this relationship as helping to identify the absolutes and the possible land mines that will arise later on in the film-making process.

It’s not uncommon to hear the saying- a director, not a dictator. Louise Drumm, an assistant theater director with Dublin Youth Theatre states, “To be a good director you have to know when to let go.” Ron Howard brings this quote to life by establishing a symbiotic relationship between himself, as the director, his 1st AD, and cinematographer. He seems to be aware that filmmaking is a collaborative process, and perhaps this is the reason many of his films have been so widely successful.


“One of the great things about being a director as a life choice is that it can never be mastered. Every story is its own expedition, with its own set of challenges.”

-Ron Howard


Listen to the Directors Guild Podcast The Craft of The Director with Ron Howard Part 1 (Ep. 258) here.