Lucas Hagar: The Influence of NArrative Storytelling on Documentaries

In a podcast with Film Riot, Lucas Harger talked in-depth about his filmmaking process as well as the creative cross between narrative film and documentary filmmaking. As a filmmaker, Lucas has been successful in crossing between editing both documentary and narrative stories to produce unique and creative content.

According to Lucas, being able to create documentary films has significantly improved his narrative work, but it does not go the other way around. In both of these forms of film, you have to uncover a specific story from the heart, and they demand a fluid ability of storytelling. However, in a documentary film, the director almost always functions as the writer and editor as well. All in all, this strengthens the directors’ creative voice and gut instincts.


Everything about documentary filmmaking is reactive, and having such power over a more broad area of the film allows for the fine-tuning of one’s storytelling ability.


Listen to Lucas Harger’s full podcast with Film Riot Here


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FireFly lane (2021) review

Synopsis: Tully and Kate meet as young girls on Firefly Lane and become inseparable friends throughout 30 years of ups and downs. First episode date: February 3, 2021 Network: Netflix Program creator: Maggie Friedman Executive producers: Maggie Friedman, Stephanie Germain, Katherine Heigl, Lee Rose, Shawn Williamson, Peter O’Fallon My Review: After watching the first few episodes of this series, I was not sucked into …

Alien(s) (1986) Review

Synopsis After floating in space for 57 years, Lt. Ripley’s (Sigourney Weaver) shuttle is found by a deep space salvage team. Upon arriving at LV-426, the marines find only one survivor, a nine year old girl named Newt (Carrie Henn). But even these battle-hardened marines with all the latest weaponry are no match for the hundreds …

Alien (1979) Review

Synopsis In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. The terror begins when the crew encounters a nest of eggs inside the alien ship. An organism from inside an egg leaps out and …

Control Your Property- Jim Cummin’s Advice On Distributing Your Own Film

Jim Cummings is an extremely unique director in the sense that he often heads up the distribution of his films and their production. In a recent Podcast with Film Riot, he explains to the listeners just how he goes about accomplishing this.

To many filmmakers, the idea of overseeing the distribution of your own films sounds like a dream. As Jim points out, it allows the filmmaker to have more control over the trailer, poster, and other art forms. He says he views distribution as a continuation of the making the film, and that to him the film is a property that he manages and “rents” around to distributors.

Cummins key advice is to make films as much as possible, especially short films that are similar/ relevant to the dream feature film you see yourself making in the future. Not only is this a good way to gain quality experience, but it also allows you a chance to become more known in the filmmaking community and build connections. According to Cummins, it doesn’t matter how good a filmmakers script/ product is, but it’s all about the value that the filmmaker holds.

Cummins last key of advice is to find those you trust and COLLABORATE with them, and above all less take every opportunity you have to gain experience and grow as a filmmaker.


Listen to Jim Cummins full Podcast with Film Riot Here