Nightclub sensation Velma (Catherine Zeta-Jones) murders her philandering husband, and Chicago’s slickest lawyer, Billy Flynn (Richard Gere), is set to defend her. But when Roxie (Renée Zellweger) also winds up in prison, Billy takes on her case as well — turning her into a media circus of headlines. Neither woman will be outdone in their fight against each other and the public for fame and celebrity.
Release date: December 27, 2002
(USA)Director: Rob Marshall
Overall, I thoroughly enjoyed this film. The parallel editing within the plot is unique and an artistic masterpiece. The acting, dance numbers, and singing in this film did not disappoint. My absolute favorite thing about this film is the set and costume designs. The filmmakers excelled at creating a visual experience for the audience through ornate detailing in every single set and costume piece. However, I will say that some musical numbers seemed a little pointless, and overall silly compared to the others.
It is easy to tell that both the filmmakers and actors put everything they had into this film. As usual, Renée Zellweger does a phenomenal job, and her performance in this film is both charming and daunting. Catherine Zeta-Jones shined brightly in her performance as well. Especially in the dance numbers. It was easy to tell Catherine is the better dancer between the two. Both women completely became the characters they portrayed and had outstanding performances.
The plot of this film stays consistently entertaining throughout, and for the most part I would say there is a well established balance between the dialogue and musical numbers. I know this film recreates the musical Chicago in a movie form, and it’s not the movies fault but some songs are way to silly and pointless. These silly musical numbers lost my attention into the film for their whole duration. However, the transitions into and out of the musical numbers were seamless and kept my attention all throughout.
The parallel editing between scenes in this film was extremely unique and I cannot recall ever seeing anything with a similar style pulled off as effortlessly as this film does. The creative liberty taken by the filmmakers was genius and well thought out. For example, the scene with Roxie being used metaphorically and symbolically as a puppet by her lawyer was very expressive.
Overall, this film captures the musical Chicago in a new and creative way. The film is both entertaining and enjoyable to watch. However, I’m not sure if I would ever watch this film again. Once may be enough for me.
7.5 out of 10
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